RSS Feed email updates Email Updates

Want Better Copy? Go On A Quest!

mind.jpgWriting copy is usually the easiest part of my work. But figuring out what to say is often a whole lot harder than knowing how to say it. That requires a lot of research, creativity and, of course, “sales detective work,” as my friend John Carlton calls it.

But when I know what to write, the question I’m often asked is, “Do you start with the headline, or do you work the headline last?”

Let me share with you a formula I use. First, when I write new copy, I tend to start with the copy itself, then create the headline and headers (some people call them “subheads”).

With existing copy however, it’s the other way around: I start with a better headline (after reading the copy and questionnaire replies from my clients), then the rest. Why? Because…


Sometimes (in fact, a lot of times), my client’s copy is already pretty good. The culprit for a poor response, almost 9 times out of 10 in my estimation, is a poor headline. (And it’s often the one element I test the most, too.)

The headline is the pivotal element in copy upon which the success of your copy will hinge. If people are not interested enough in reader further after reading the headline, they will leave without reading any more, regardless of how good the copy is, how great the product is and how perfect the offer is for their situation.

So I tend to try to find a good hook for the headline.

After a little bit of detective work, this usually comes to me after tinkering with the headline a bit, sometimes writing several of them.

(Or I rewrite it several times until I come up with the one I think will pull best. You’ve probably seen me do this on my critique videos at TheCopyDoctor.com as an example. In it, check out the brief 15-minute video sample where I reconstruct a headline.)

The headers are usually parts of the copy — either pulled out from the copy where they make sense, create curiosity, and force the reader to stop scanning and start reading.

With new copy, I usually start with an outline, but I really don’t write the actual headers. I often start with the concept or idea I want to introduce in specific sections of the letter, but then write copy and use headers at that point, all based on the flow of ideas.

Here’s how I do it. Most of my salesletters focus on 5 core components. What I usually do when I write or rewrite copy is follow this format. It’s my 5-step guide, if you will.

It’s sort of my own take on the AIDA formula. (Well, it actually complements it, as I still follow AIDA.) I’m sure you’ve heard of AIDA (i.e., grab their Attention, arouse their Interest, build their Desire and ask for some kind of Action).

My formula is this: I call it going on a “QUEST.”

  1. Qualify
  2. Understand
  3. Educate
  4. Stimulate
  5. Transition

It’s like traversing a mountain, so to speak, when you start climbing the mountain on one side, reach the summit, and start climbing back down on the other side.

Almost all my salesletters take on this quality.

Here’s what “QUEST” means:

Q = Qualify

Qualify the reader and prepare her for what’s about to be discussed. And it’s also to weed out the non-prospects, tire-kickers, time-wasters, etc.

That’s why it’s good to ask questions at the beginning or set the stage by giving a scenario they can immediately relate to, or talk about how terrible things are with “this” or “that” problem, or how nice it would be to solve “this” or “that” problem.

You also try to denominate who usually has this problem (I often incorporate this into a story), who this solution is for and/or who it is not for. The aim is not only to create awareness, but also and more importantly to qualify the reader or drive home how qualified the reader is for the offer.

This is especially true where there’s a bit of an education involved — where the prospect doesn’t really know (or is not fully aware) there is a problem. The problem may be in the back of their minds, but my job is to bring it to the top.

In fact, this is why the next part is crucial and flows from the first.

Because, the next step is to…

U = Understand

Understand the reader by reaching out to them. You empathize with them. You expand on the problem. You agitate their pain. You not only get the reader to identify themselves with you, but also magnify the problem by making it more real and vivid in their minds. You “add salt on the wounds,” so to speak.

In other words, you share their pain, and tell them how more painful it is either because there is no solution, or because competing or previous solutions are not as good for whatever reasons. It’s where you bring the problem to the top of their minds — and it’s why, once you’ve reached to the top “of the moutain,” it becomes an easy downhill trek afterwards.

You can also use this section to tickle their curiosity about a potential solution, and insert specific benefits other solutions don’t have, but without fully introducing or disclosing “your” solution yet — i.e., a unique selling point, superior “nice-to-have” benefits, something new or different that will be linked with the offer later on, the story behind the product, etc.

(In fact, if the creator of the product used to be in the same situation, I would include a story behind the product based on that fact. It’s also a great place to build credibility and give the reader reasons why they should keep reading. Readers identify themselves with the author and say to themselves, “Hey, I felt the same way!” Or, “I certainly don’t want to go through what she went through!” Etc.)

When you introduce the solution later on, you can tie it in with all of these. It’s like telling the reader: “Wouldn’t it be great, if…” (And later on, “Well, there is a solution that…”)

And that leads to the next step, which is to…

E = Educate

Educate the reader on the fact that there is a solution. Your solution. This is where you expand on the fact that a solution exists, and that your solution is unlike all the others, as well as the reasons why it is different. This is where you introduce the product or service (but not the offer). Usually it’s in the middle of the copy. It’s “the summit of the sales mountain,” if you will.)

Also, it’s a great place to add a lead-capture form, if you didn’t use the forced opt-in process. That is, if people landed immediately on your salesletter organically, without going through a landing page first. (We tested locations, and if you need to add an opt-in form on a salesletter, this seems to be the highest pulling area.)

It’s also a great place to build on and emphasize credibility introduced in the “U” portion of the formula. You should include a lot of proof here, and build on the believability element.

This includes credentializing the author and why should one listen to her. It’s also a great location to talk about the features of your product or service, dispell any myths, and respond to any objections regarding the product or service.

It’s also the location where I add proof elements, case studies and testimonials. In fact, I tend not to add any testimonials until this section. Why? Because testimonials too early tend to scare off people.

Of course, this depends at what stage of the buying process the market is in. If they are vigorously aware of their problem and they’re hurting already, testimonials a little early won’t hurt. But in tests, removing testimonials early in the copy actually increased response in most cases.

Once they’re educated, the next step is to…

S = Stimulate

Stimulate the reader on the offer. This where the offer is made and the value buildup really starts. You list and expand on the benefits. (In “E,” I start to talk about features and describe the product. But in here, I talk benefits, benefits, benefits… And I link them to the features described in “E.”

It’s the place where the offer really starts taking shape. Also, it’s a great location to add value to the offer, such as offering premiums, making guarantees and inserting value boosters, such as adding scarcity and making apples-to-oranges comparisons.

(”Apples to oranges” means to compare the price to the cost of not buying — rather than to the price of some alternative. In other words, it’s comparing the value of your offer not with the value of a similar or competing product but with the value of all possible alternatives, including missing out on the potential benefits, pecuniary losses, value of unique benefits, ultimate costs of not using the product, etc.)

Use this section to link the offer to the rest of the formula. That is, you restate some of the problems mentioned in “Q,” how the solution answers the greater problems talked about in “U,” and how it links to all to the features and benefits described in “E.”

After that, you then…

T = Transition

Transition the reader from prospect to customer. The famous “let’s wrap this up” or “call to action” section. It’s the response device. The close, in other words. This includes the order form, the price, a special offer, the P.S.’s, additional testimonials (especially results-based testimonials), making the reader feel as if they already own the product, etc.

It’s a great place to summarize the offer, and perhaps introduce new points not discussed to this point to spur action, such as adding an as-of-yet undisclosed benefit or bonus — also called “pot sweeteners.”

(I also tend to add a liftnote in this section, usually a linked pop-up window, which says, “Click here if you decided NOT to order today,” and so on. Take a look at how I did it with John Reese’s TrafficSecrets.com, for example.)

Now, I don’t follow this formula precisely as I just explained.

I usually start with QUEST as an outline first, especially in an outline, and then refer back to it later.


Once the outline is made, I expand on each point and “go with the flow” of what I think is best for the offer throughout the salesletter.

I also write header ideas in that outline, too. But first, I expand on the copy, and if needed, I re-arrange ideas around for better flow. And then, I write the headers as I see how they fit in the QUEST formula, all keeping the following in mind:

  1. The header introduces a new piece of information. It’s specific and descriptive. Best of all, it has an inherent benefit — whether it’s of the offer or one in reading what follows. (Usually, it’s the latter.)
  2. It helps to introduce the following section in the copy. In fact, it should read as if the person never read the preceding copy. It somewhat explains it as to not confuse and push people away. (But it doesn’t explain it entirely, as the next point reveals.)
  3. More often then not, it also piques their curiosity in order to force them to stop scanning and go back to the beginning of the copy (as people usually scan and read the headers when they hit a salesletter for the first time).

The third one is the one I use the most.

The header introduces a portion of an idea (like a half-statement), or some kind of “newsworthy” statement that pulls them into the copy.

It’s like using headers as “knots” or “hooks” in rock-climbing rope, so to speak. Why? Because it forces people to stop — and ultimately pulls readers back into the copy (or keeps them reading and clinging throughout the copy).

For example, in the copy for Lou Vukas at RealEstateFortunes.com, I wrote a header that said, “(I tried everything. I felt) Hopeless… Frustrated… Broke… I Said to Myself, ‘There’s Gotta Be Something Better Than This’!”

The copy that followed slowly introduces the “wouldn’t it be great” concept, until the next header, which says, “I Found It!” “I Cracked The Code!” “It Hit Me Like A Ton Of Bricks!” And so on.

Finally, don’t force yourself to follow the QUEST formula “to the letter.” Use it as guides to help you in creating the copy and ensuring it has a proper flow.

Just like there are different mountains of different shapes and sizes, there are different markets with different levels of awareness. Therefore, each climb should also be different.

But keep this in mind. Climbing any mountain has 3 common things: the ascent, the summit and the descent. You copy should flow in the same way: pull them in, prove your case and push them to act.

I call these the “3 P’s.” But, that’s for another day…

About the Author

Michel Fortin is a direct response copywriter, author, speaker, consultant, and CEO of The Success Doctor, Inc. Visit his blog and signup free to get tested conversion strategies and response-boosting tips by email, along with blog updates, news, and more! Go now to http://www.michelfortin.com.

Last 5 Posts by Michel Fortin

Share This Post

Share this post with a friend by clicking "share this" below. You may freely reprint or redistribute this article, provided the content and links are left intact, and the "about the author" section is included. Get notified of new posts by RSS or email, below.

RSS Feed email updates Email Updates
Pinpoint Hungry And Highly Profitable Markets  

Pinpoint Hungry And Highly Profitable Markets

New! Streaming video lessons show you how to identify hungry niches online and how to "read their minds!" Discover what your market wants and how to sell more to existing markets. Click for more »

Other Related Posts

Readers Also Viewed

8 Replies to “Want Better Copy? Go On A Quest!”

Trackbacks/Pingbacks

  1. From The Argument Between My Sister And I Required Mediation! » Copywriting Tips, Maximize Internet Advertising

    [...] My sister and I have been arguing about benefits in your QUEST formula. [...]

    Source Website May 28th, 2008

Comments

  1. From Dave Ryan

    It’s funny because I frequently climb mountains when I’m looking for inspiration for important copy.

    It gives me time to think without distraction, and get’s the mind working on both sides of the brain.

    But the concept of QUEST as you put it is very intresting.

    I like the idea of bringing the reader on a little trip in the copy. It’s like Toliens idea of “There and back again” as being a somewhat HOLY way of telling a story.

    But it gives direction, it gives movement, it gives progression.

    Like in music…

    A normal song has a chord progression that develops and hits the “bridges” where the listeners are away from the theme, but then hooks back to the main song….

    Just like in good copy.

    The movement is what makes the person want to keep listening (I-V for rock’n roll) or the creation of tension, and then the release of it.

    I utalize musical structure a lot in my copy, and I stick by it….

    It allows you to tell a story, and not just have a pitch.

    Anywase,

    I’m going to add you to my blogroll.

    I think your readers will enjoy my blog as well since it’s not focused on copy, but other ends of running a successful business.

    Keep up the great posts!

    Author's Website December 16th, 2005

  2. From Alvin

    Nice formula! I enjoy reading your blog…lots of valuable tips here. Keep up the fantastic work :)

    Author's Website April 4th, 2006

  3. From Trudy Van Buskirk

    Wow! You really give a lot away! Thanks for all the info and knowledge. I’m writing about small business, not speaking for now and looking for places to learn. Yours will be one of them.

    Author's Website May 10th, 2006

  4. From Daniel Millions

    I can honestly say this is one of the best free how to’s on copywriting that I have come across. I was refered here by a friend and thoroughly
    enjoyed every minute of it.

    Thanks and keep up the great work Michel,

    Author's Website June 6th, 2006

  5. From Nigel J Briiton

    Michel,

    As always this blog is a great education. You mentioned early in the text about a client questionairre.

    May I be cheeky enough to ask what comprises the format for the questionairre that you use?

    Proper research is something I feel is missing from my armoury. So any tips would be much appreciated.

    Thanks again Michel

    Author's Website October 12th, 2006

  6. From Nigel J Britton

    Hi Michel,

    Reading the Quest article as always was quite amazing, once again
    you provide a step-by-step guide to writing copy.

    I do have a wee question though. (As per usual)

    I clicked on the Real Estate Fortunes link and saw the friuts of your labour
    first hand.

    What an example! Superb. Of course.

    But here’s my question, Did you write the copy for the whole site or just the
    front page?

    Til then, thanks again Michel.

    Author's Website October 26th, 2006

  7. From John Anderson

    Hi Michael.
    I love the Quest formula. It really allows for thought provoking, ‘real’ copy that draws people in rather than hypey, seen it all before drivel.

    I am teaching about 100 business owners copywriting at a seminar I am running next weekend, and I have developed a formula for them that I thought I would share.

    I.N.S.P.I.R.E

    Incredible Promise (Headline)
    Neiche Market (qualify who its for)
    Social Proof (how can you prove the promise is for real)
    Points: Bullet points of benefits
    Irresistable Offer: with urgency and Scarcity and limitless boundless value added in through bonuses)
    Rich detail (to engage Visual, Audio and Kinesthetic senses)
    Exact Action Steps (tell em what to do to order :)

    It’s still a work in progress of course. It was kind of like - wow, it would be great to work it around the word ‘Inspire’…lets see what I can come up with :)

    Wishing you the best with healthy recovery for your back, and keep up the great work with this blog.

    John

    Author's Website May 24th, 2008

Confessions Of A Website Copywriter  

Confessions Of A Website Copywriter

New! Possibly the Internet's best copywriting ebook on how to write proven sales copy for the Internet, from writing and web design, to testing. Highly recommended! Click for more »

Leave a Reply




Comments will be sent to the moderation queue.

 

Home | About | Sitemap | Coaching | Consulting | Members | Main | Forum | Ezine | Services | FAQ | Privacy | Legal | TOP

Michel Fortin, CEO of the copywriting agency, The Success Doctor, Inc.

© 1997-2008 The Success Doctor, Inc. All Rights Reserved
1707 Cara Crescent, Ottawa, Ontario (Canada) K4A1M4
Telephone/24-Hour Fax: (613) 482-4828 | Contact Me

RSS Feed