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Written by Michel Fortin

The Importance of Doing It With VAL

toolbelt The Importance of Doing It With VALThis arti­cle was writ­ten by one of my junior copy­writ­ers, Joe Valente, as an intro­duc­tion to one of my arti­cles — which I will be pub­lish­ing on this blog later this week. But Joe’s arti­cle is so good, I decided to reprint it here. Take it away, Joe!

There’s an old say­ing: “Depend­ing on the cir­cum­stances, any tool that comes to hand becomes a hammer.”

Now, let’s start with a basic premise: When you write copy, you build knowl­edge, trust, and sales, and lan­guage is your ham­mer. Some might take that a step fur­ther and say that the point of your writ­ing is to “nail” your prospects, but I don’t think I want to go down that road today.

Instead, I want to talk a bit about your main tool of the trade, your prover­bial hammer…

… Lan­guage.

As some of you know, I come from a cor­po­rate back­ground, largely tech­ni­cal doc­u­men­ta­tion and B2B mar­ket­ing copy. In that world, writ­ing is a very for­mal affair.

In my years as a cor­po­rate denizen, I’ve worked with sev­eral very tal­ented peo­ple, pro­fes­sional writ­ers who under­stood that they had to write dif­fer­ently for tech­ni­cal white papers than for tuto­ri­als, and that the way they spoke was vastly dif­fer­ent from the way they wrote under almost all circumstances.

That’s why it always amazes me when I get phone calls like this…

I got a call the other day from some­one I used to work with. Seems some­one I know knows some­one she knows, and as a result of that small-​​world phe­nom­e­non, she dis­cov­ered what I was doing these days.

So, in response to either mor­bid curios­ity or pure bore­dom, she came to read some of the copy I’ve writ­ten over the last lit­tle while.

And then my old col­league, a mil­i­tant, self-​​styled keeper of the sacred trust of the Eng­lish lan­guage, called me up out of the blue to — well, the phrase that comes to mind imme­di­ately is “rip me a new one.”

How can you write like that? You’ve butchered and bas­tardized the lan­guage at every turn! You’ve dan­gled par­tici­ples! You’ve used con­trac­tions! You’ve sliced and diced sen­tences! And the Har­vard com­mas — WHERE ARE THE HARVARD COMMAS?!?!”

Now, don’t get me wrong, this is a very edu­cated lady — she has an MA in Eng­lish — and she gen­er­ally knows what she’s talk­ing about. But that didn’t stop me, because such things sel­dom do. I had been chal­lenged, a gaunt­let thrown down, my cred­i­bil­ity called into ques­tion, and my rep­u­ta­tion sullied.

My testos­terone demanded — and for­mu­lated — a swift response. And for once, much to my sur­prise, it actu­ally had the right answer:

Maybe. And that copy sold 240-​​odd prod­ucts at $60 a piece in less than 24 hours. How much did your last writ­ing assign­ment sell?”

It’s not the same thing!”

My point.”

In fact, my point exactly.

You all know that there are dozens of ways to speak Eng­lish — “dialects,” if you will — and each one serves a pretty spe­cific pur­pose. This is what I like to call Venue Appro­pri­ate Lan­guage, “VAL” for short.

Val is your very best friend, not to men­tion one of the most impor­tant tools of our trade.

And if you don’t do it with Val, you’re just not doing it right.

Think about it.

When you write let­ters to peo­ple you don’t know, you are a lot stiffer, a lot more for­mal than when you write to friends. When you pro­mote your­self for mar­ket­ing jobs, you’re a lot more play­ful than when you pro­mote your­self as a tech­ni­cal edi­tor. And sales let­ters sell­ing finan­cial prod­ucts are more language-​​conscious than let­ters writ­ten to sell infor­ma­tion products.

Why? Because whether you’re try­ing to win the hearts or minds of your audi­ence, you need the right lan­guage to drive your mes­sage home. Because what you say is about inform­ing and per­suad­ing, but how you say it is about paint­ing a pic­ture that the client’s buy­ing moti­va­tor can recognize.

We some­times use for­mal lan­guage to paint a pic­ture of but­ton– down logic. Some­times we use warmer, less direct lan­guage to help the heart feel joy or need. And some­times we write in a famil­iar, friendly way to help the reader feel com­fort or hope.

Michel Fortin’s lat­est arti­cle deals with the con­cept of using effec­tive (as opposed to cor­rect) lan­guage, and rep­re­sents another lit­tle refresher that ties into last month’s back-​​to-​​basics theme. Reac­quaint your­self with Val, who is your supreme ruler.

If you don’t make it with Val, you just might not make it at all.

So I guess the two things I’d like you to take away from this are these:

  1. Be very con­scious of who you’re writ­ing to — the heart or the mind, the fam­ily or the indi­vid­ual, and so on — and make sure you use the right dialect, and …
  2. Before you fol­low in the steps of some of my old col­leagues and jump all over the way some­one has writ­ten, put your­self in their prospect’s shoes and ask your­self: What do I feel when I read this? And what do I see?

Remem­ber that it’s more impor­tant to have the right lan­guage in your copy than it is to have the cor­rect Eng­lish. Because, while any­thing that comes to hand can be a ham­mer, there still is noth­ing like the right tool for the job.

Tool belts, everyone.

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